A House In Many Parts

Council; Jeanne Penjan Lassus and Viktoria Pitaktong, Bad Students. Sofia Lemos; Chulayarnnon Siriphol; Liew Niyomkarn; Monitor Lizard House Studio; Studio Tomas Saraceno; Rap Against Dictatorship; Pisitakun Kuntalang; Thanapol Virulhakul; Dogwhine; NUH PEACE; Pyra; Lucas Morin; Filmvirus; Manifesto for Artists In A Strong State, Yalda Afsah, Yu Araki, Christine Ayo, Agata Ingarden, Jelena Jureša, Lila de Magalhaes, Rayane M'cirdi, P. Staff,Mona Varichon, Jean Painlevé and others.

Baan Rim Naam; Goethe Instituut Thailand; Alliance Francaise, Bangkok; Whiteline; N22; Jam Cafe Bangkok; Monitor Lizard House; KÜ Bar

A House In Many Parts is a 2 week festival organized with the support of the Goethe Institut, the French Embassy and the Fond Francoallemand, to take place from the 1st - 16th of December, 2020. The artistic director of this festival is Abhijan Toto, who will invite practitioners from France, Germany and Thailand to collaborate on a series of events to take place across this time. The events bring together cinema, theatre, performance, architecture and discursive programming to create a series of assemblies around questions of collective futures, and the presents we occupy. 

The festival took place against the background of the COVID-19 pandemic, as well as socio-political upheaval in the country, responding to both these urgencies inventively. The festival acted as a safe space for political and cultural expression at a time of governmental repression, bringing together visual artists, performers, musicians, filmmakers and more in a month-long series of programmes that took place in ten venues across Bangkok, including in art spaces and found environments, as well as in the public realm. The festival realised ambitious and experimental new commissions and facilitated international exchange, even during a time of travel bans and border closures.

More information here: https://www.goethe.de/resources/files/pdf212/press-release-en-a-house-in-many-parts-1.pdf

http://www.council.art/inquiries/29/the-against-nature-journal/1689/praeng-2020

แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
Performance by Liew Niyomkarn. แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflect
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forc
Sonic Continuum Panel Discussion with Protozua (Rap Against Dictatorship) and NUH PEACE Sonic Continuum consisted of a program of discussions and performances around the relationship between sound and resistance from various contexts and perspective
JAM Cafe Bangkok, site of Sonic Continuum
Sonic Continuum consisted of a program of discussions and performances around the relationship between sound and resistance from various contexts and perspectives, drawing from the eponymous long-term research project by curator Sofia Lemos. The even
Performance by Liew Niyomkarn and Chulayarnnon Siriphol
Performance by Liew Niyomkarn and Chulayarnnon Siriphol
Sonic Continuum consisted of a program of discussions and performances around the relationship between sound and resistance from various contexts and perspectives, drawing from the eponymous long-term research project by curator Sofia Lemos. The even
Performance by NUH PEACE.
Performance by Rap Against Dictatorship
Performance by Rap Against Dictatorship
Sonic Continuum consisted of a program of discussions and performances around the relationship between sound and resistance from various contexts and perspectives, drawing from the eponymous long-term research project by curator Sofia Lemos. The even
Performance by Rap Against Dictatorship.
We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation. The wetlands of Samut Prakan, in Southern Bangkok, are both a witness and a testament to colossal and rapid territorial transformations
We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation.
We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation.
We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation.
We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation.
We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation.
We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation.
We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation.
Opening of A House In Many Parts at Baan Rim Naam, Bangkok.
Opening of A House In Many Parts at Baan Rim Naam, Bangkok.
Opening of A House In Many Parts at Baan Rim Naam, Bangkok.
Opening of A House In Many Parts at Baan Rim Naam, Bangkok.
Opening of A House In Many Parts at Baan Rim Naam, Bangkok.
Opening of A House In Many Parts at Baan Rim Naam, Bangkok.
Installation by Sornapat Patharakorn. Opening of A House In Many Parts at Baan Rim Naam, Bangkok.
Opening of A House In Many Parts at Baan Rim Naam, Bangkok.
Opening of A House In Many Parts at Baan Rim Naam, Bangkok.
Installation by Sornapat Patharakorn.
Installation by Mona Varichon.
The Birdcage: Film programme developed in a collaboration between Lucas Morin and Wiwat Lerwiwatwongsa
The Birdcage: Film programme developed in a collaboration between Lucas Morin and Wiwat Lerwiwatwongsa
The Birdcage: Film programme developed in a collaboration between Lucas Morin and Wiwat Lerwiwatwongsa
The Birdcage: Film programme developed in a collaboration between Lucas Morin and Wiwat Lerwiwatwongsa
The Birdcage: Film programme developed in a collaboration between Lucas Morin and Wiwat Lerwiwatwongsa
The Birdcage: Film programme developed in a collaboration between Lucas Morin and Wiwat Lerwiwatwongsa
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